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 or in some way destroys. Often the death of the monster occurs as the result of a fire which the hero secretly makes within him; he mysteriously creates in the womb of death life, the rising sun. Thus dies the fish, which drifts ashore, where, with the assistance of "birds," the hero again attains the light of day.[48] The bird in this sense probably means the reascent of the sun, the longing of the libido, the rebirth of the phœnix. (The longing is very frequently represented by the symbol of hovering.) The sun symbol of the bird rising from the water is (etymologically) contained in the singing swan. "Swan" is derived from the root sven, like sun and tone. (See the preceding.) This act signifies rebirth, and the bringing forth of life from the mother,[49] and by this means the ultimate destruction of death, which, according to a Negro myth, has come into the world, through the mistake of an old woman, who, at the time of the general casting of skins (for men renewed their youth through casting their skin like snakes), drew on, through absent-mindedness, her old skin instead of a new one, and as a result died. But the effect of such an act could not be of any duration. Again and again troubles of the hero are renewed, always under the symbol of deliverance from the mother. Just as Hera (as the pursuing mother) is the real source of the great deeds of Hercules, so does Nokomis allow Hiawatha no rest, and raises up new difficulties in his path, in form of desperate adventures in which the hero may perhaps conquer, but also, perhaps, may perish. The libido of mankind is always in advance of his consciousness; unless his