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 the greatest magic in one's hands; one needs only to phantasy, and with that to masturbate, then one possesses all the pleasure of the world, and is no longer compelled to conquer the world of one's desires through hard labor and wrestling with reality.[53] Aladdin rubs his lamp and the obedient genii stand at his bidding; thus the fairy tale expresses the great psychologic advantage of the easy regression to the local sexual satisfaction. Aladdin's symbol subtly confirms the ambiguity of the magic fire preparation.

The close relation of the generation of fire to the onanistic act is illustrated by a case, the knowledge of which I owe to Dr. Schmid, in Cery, that of an imbecile peasant youth who set many incendiary fires. At one of these conflagrations he drew suspicion to himself by his behavior. He stood with his hands in his trouser pockets in the door of an opposite house and gazed with apparent delight at the fire. Under examination in the insane asylum, he described the fire in great detail, and made suspicious movements in his trouser pockets with his hands. The physical examination undertaken at once showed that he had masturbated. Later he confessed that he had masturbated at the time when he had enjoyed the fire which he had enkindled himself.

The preparation of fire in itself is a perfectly ordinary useful custom, employed everywhere for many centuries, which in itself involved nothing more mysterious than eating and drinking. However, there was always a tendency from time to time to prepare fire in a ceremonious and mysterious manner (exactly as with ritual eating and