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 be simply victims of a folk superstition." As a matter of fact, patients substitute phantasies for reality, phantasies similar to the actually incorrect mental products of the past, which, however, were once the view of reality. As the Zosimos vision shows, the old superstitions were symbols[39] which permitted transitions to the most remote territory. This must have been very expedient for certain archaic periods, for by this means convenient bridges were offered to lead a partial amount of libido over into the mental realm. Evidently Spielrein thinks of a similar biological meaning of the symbols when she says:[40]

"Thus a symbol seems to me to owe its origin in general to the tendency of a complex for dissolution in the common totality of thought The complex is robbed by that of the personal element This tendency towards dissolution (transformation) of every individual complex is the motive for poetry, painting, for every sort of art."

When here we replace the formal conception "complex" by the conception of the quantity of libido (the total effect of the complex), which, from the standpoint of the libido theory, is a justified measure, then does Spielrein's view easily agree with mine. When primitive man understands in general what an act of generation is, then, according to the principle of the path of least resistance, he never can arrive at the idea of replacing the generative organs by a sword-blade or a shuttle; but this is the case with certain Indians, who explain the origin of mankind by the union of the two transference symbols. He then must be compelled to devise an analogous thing in order to bring a manifest sexual interest upon an asexual expres