Page:Proposals for a missionary alphabet; submitted to the Alphabetical Conferences held at the residence of Chevalier Bunsen in January 1854 (IA cu31924100210388).pdf/25



If we recall the process by which the semi-vowels were formed in the three principal classes, and if, instead of stopping the vocal sound by means of that slight remnant of consonantal contact or convergence, which characterized the formation of the semi-vowels, we allow the full volume of breath to pass over the point of contact and there to vibrate and sound, we get three pure vowel sounds, guttural, palatal, and dental, which can best be expressed by the Italian A, I, U, as heard in psalm, ravine, flute.

Let us pronounce the labial semi-vowel, the English w in woe, and, instead of stopping the vocal sound as it approaches the labial point of contact, emit it freely through the rounded aperture of the lips, and we have the vowel u. Here also the experiment of the candle will elucidate the process that takes place, but of which we are hardly conscious. The mere semi-vowel w, not followed by any vowel, should not produce any disturbance in the flame; at least not more than might be occasioned by the motion of the lips, which is the same for all consonants. The labial flatus, f, on the contrary, will disturb the flame considerably, and the vowel u may extinguish it.

The same process which changes w into u, changes the guttural semi-vowel 'h into a, and the palatal semi-vowel y into i. Let us pronounce the y in yea without any vowel after it, and it only requires the removal of that stoppage of sound which takes place between tongue and palate, in order to allow the vowel i, as in ravine, to be heard distinctly.