Page:Prophets of dissent essays on Maeterlinck, Strindberg, Nietzsche and Tolstoy (1918).djvu/154

Prophets of Dissent the contrary, the four component parts are but brilliant variations upon a single generic theme, each in a different clef, but harmoniously united by the incremental ecstasy of the movement. The composition is free from monotony, for down to each separate aphorism every part of it has its special lyric nuance. The whole purports to convey in the form of discourse the prophetic message of Zarathustra, the hermit sage, an idealized self-portrayal of the author.

In the first book the tone is calm and temper- ate. Zarathustra exhorts and instructs his disciples, rails at his adversaries, and discloses his superiority over them. In the soliloquies and dialogues of the second book he reveals himself more fully and freely as the Superman. The third book contains the meditations and rhapsodies of Zarathustra now dwelling wholly apart from men, his mind solely occupied with thought about the Eternal Return of the Present. In the fourth book he is found in the company of a few chosen spirits whom he seeks to imbue with his perfected doctrine. In this final section of the work the deep lyric current is already on the ebb; it is largely supplanted by irony, satire, sarcasm, even buffoonery, all of which are resorted to for the pitiless [138]