Page:Principles of Psychology (1890) v1.djvu/23

Rh of an hour ago? Why, again, in old age should its grasp of childhood's events seem firmest? Why should illness and exhaustion enfeeble it? Why should repeating an experience strengthen our recollection of it? Why should drugs, fevers, asphyxia, and excitement resuscitate things long since forgotten? If we content ourselves with merely affirming that the faculty of memory is so peculiarly constituted by nature as to exhibit just these oddities, we seem little the better for having invoked it, for our explanation becomes as complicated as that of the crude facts with which we started. Moreover there is something grotesque and irrational in the supposition that the soul is equipped with elementary powers of such an ingeniously intricate sort. Why should our memory cling more easily to the near than the remote? Why should it lose its grasp of proper sooner than of abstract names? Such peculiarities seem quite fantastic; and might, for aught we can see a priori, be the precise opposites of what they are. Evidently, then, the faculty does not exist absolutely, but works under conditions; and the quest of the conditions becomes the psychologist's most interesting task.

However firmly he may hold to the soul and her remembering faculty, he must acknowledge that she never exerts the latter without a cue, and that something must always precede and remind us of whatever we are to recollect. "An idea!" says the associationist, "an idea associated with the remembered thing; and this explains also why things repeatedly met with are more easily recollected, for their associates on the various occasions furnish so many distinct avenues of recall." But this does not explain the effects of fever, exhaustion, hypnotism, old age, and the like. And in general, the pure associationist's account of our mental life is almost as bewildering as that of the pure spiritualist. This multitude of ideas, existing absolutely, yet clinging together, and weaving an endless carpet of themselves, like dominoes in ceaseless change, or the bits of glass in a kaleidoscope,—whence do they get their fantastic laws of clinging, and why do they cling in just the shapes they do?

For this the associationist must introduce the order of experience in the outer world. The dance of the ideas is