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 admiring eyes of surviving relatives, the biographer has made other people responsible for most of. Shelley's flagrant errors of conduct and has credited the poet's personality with an unfailing beneficence. In view of the biographer's true goal it is difficult to speak of the Whitewashing method more indulgently than of the method of suppression. {The biographer is a narrator, not a moralist, end candour is the salt of his narrative. He accepts alike what clearly tells in a man's favour and what clearly tells against him. Neither omission nor partisan vindication will satisfy the primary needs of the art.

At the same time the biographer is likely to miss his aim of transmitting personality truthfully if he give more space or emphasis to a man's lapses from virtue than is proportioned to their effects on his achievement. Although he may not fill the preacher's pulpit, a touch of sympathy with human frailty, of charity for wrongdoing, will the better fit him for his task.

There is a French proverb: Tôt ou tard,