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 commemorative instinct, which sets little store by such panegyric or vilification, craves, before all things, the completeness which death alone assures. No man's memory can be accounted great until it has outlived his life.

At the same time there is danger in postponing indefinitely biographic commemoration in cases where it is rightly due. There are insuperable obstacles to writing the lives of men long after their relatives and associates have passed away. Even the life of Shakespeare has suffered through the long interval which separates the date of his death from the first efforts of his biographers, and there are some of Shakespeare's literary contemporaries, whose biographic commemoration has been postponed to so distant a date after their career has closed that the attempt to satisfy the just call of the commemorative instinct has altogether failed.

But the theme of biography must be far more than "complete." It must be, in addition, both "serious" and "of a certain magnitude." By seriousness we may under-