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VI] anything else has nearly so great a value as the things which are included under these two heads. I have myself urged in Chap. III. (§ 50) that the mere existence of what is beautiful does appear to have some intrinsic value; but I regard it as indubitable that Prof. Sidgwick was so far right, in the view there discussed, that such mere existence of what is beautiful has value, so small as to be negligible, in comparison with that which attaches to the consciousness of beauty. This simple truth may, indeed, be said to be universally recognised. What has not been recognised is that it is the ultimate and fundamental truth of Moral Philosophy. That it is only for the sake of these things—in order that as much of them as possible may at some time exist—that any one can be justified in performing any public or private duty; that they are the raison d’être of virtue; that it is they—these complex wholes themselves, and not any constituent or characteristic of them—that form the rational ultimate end of human action and the sole criterion of social progress: these appear to be truths which have been generally overlooked.

That they are truths—that personal affections and aesthetic enjoyments include all the greatest, and by far the greatest, goods we can imagine, will, I hope, appear more plainly in the course of that analysis of them, to which I shall now proceed. All the things, which I have meant to include under the above descriptions, are highly complex organic unities; and in discussing the consequences, which follow from this fact, and the elements of which they are composed, I may hope at the same time both to confirm and to define my position.

114. I. I propose to begin by examining what I have called aesthetic enjoyments, since the case of personal affections presents some additional complications. It is, I think, universally admitted that the proper appreciation of a beautiful object is a good thing in itself; and my question is: What are the main elements included in such an appreciation?

(1) It is plain that in those instances of aesthetic appreciation, which we think most valuable, there is included, not merely a bare cognition of what is beautiful in the object, but also some kind of feeling or emotion. It is not sufficient that