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Rh puts it, in rationalizing Jack the Giant-Killer by leaving out the giants. So far as it treated legendary wonders as being matter-of-fact disguised in metaphor, the mere naked statement of the results of the method is to our minds its most cruel criticism. Thus already in classic times men were declaring that Atlas was a great astronomer who taught the use of the sphere, and was therefore represented with the world resting on his shoulders. To such a pass had come the decay of myth into commonplace, that the great Heaven-god of the Aryan race, the living personal Heaven himself, Zeus the Almighty, was held to have been a king of Krete, and the Kretans could show to wondering strangers his sepulchre, with the very name of the great departed inscribed upon it. The modern 'euhemerists' (so called from Euhemeros of Messenia, a great professor of the art in the time of Alexander) in part adopted the old interpretations, and sometimes fairly left their Greek and Roman teachers behind in the race after prosaic possibility. They inform us that Jove smiting the giants with his thunderbolts was a king repressing a sedition; Danae's golden shower was the money with which her guards were bribed; Prometheus made clay images, whence it was hyperbolically said that he created man and woman out of clay; and when Daidalos was related to have made figures which walked, this meant that he improved the shapeless old statues, and separated their legs. Old men still remember as the guides of educated opinion in their youth the learned books in which these fancies are solemnly put forth; some of our school manuals still go on quoting them with respect, and a few straggling writers carry on a remnant of the once famous system of which the Abbé Banier was so distinguished an exponent. But it has of late fallen on evil days, and mythologists in authority have treated it in so high-handed a fashion as to bring it into general contempt. So far has the feeling against the abuse of such argument gone,