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122 matters by rushing to the other extreme. If they dream of a sick man that he is dead, and they see the earth poured into the grave, and hear the funeral lamentation, and see all his things destroyed, then they say, 'Because we have dreamt of his death he will not die.' But if they dream of a wedding-dance, it is a sign of a funeral. So the Maoris hold that a kinsman dreamt of as dying will recover, but to see him well is a sign of death. Both races thus work out, by the same crooked logic that guided our own ancestors, the axiom that 'dreams go by contraries.' It could not be expected, in looking over the long lists of precepts of classic, oriental, and modern popular dream-interpretation, to detect the original sense of all their readings. Many must turn on allusions intelligible at the time, but now obscure. The Moslem dream-interpretation of eggs as concerning women, because of a saying of Mohammed about women being like an egg hidden in a nest, is an example which will serve as well as a score to show how dream-rules may turn on far-fetched ideas, not to be recognized unless the key happens to have been preserved. Many rules must have been taken at random to fill up lists of omens, and of contingencies to match them. Why should a dream of roasting meat show the dreamer to be a back-biter, or laughter in sleep presage difficult circumstances, or a dream of playing on the clavicord the death of relatives? But the other side of the matter, the still apparent nonsensical rationality of so many dream omens, is much more remarkable. It can only be considered that the same symbolism that lay at the root of the whole delusion, favoured the keeping up and new making of such rules as carried obvious meaning. Take the Moslem ideas that it is a good omen to dream of something white or green, or of water, but bad to dream of black or red, or of fire; that a palm-tree indicates an Arab, and a peacock a king; that he who dreams of devouring the stars will live free at some great man's table. Take the classic rules as in the 'Oneirocritica ' of Artemidorus,