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120 hold it unlucky if an owl hoots during a consultation, but a council of war is encouraged by prospect of victory when a hawk flies overhead; a flight of birds to the right of the war-sacrifice is propitious if the villages of the tribe are in that quarter, but if the omen is in the enemy's direction the war will be given up. Compare these with the Tatar rules, and it is obvious that similar thoughts lie at the source of both. Here a certain little owl's cry is a sound of terror, although there is a white owl which is lucky; but of all birds the white falcon is most prophetic, and the Kalmuk bows his thanks for the good omen when one flies by on the right, but seeing one on the left turns away his face and expects calamity. So to the negro of Old Calabar, the cry of the great kingfisher bodes good or evil, according as it is heard on the right or left. Here we have the obvious symbolism of the right and left hand, the foreboding of ill from the owl's doleful note, and the suggestion of victory from the fierce swooping hawk, a thought which in old Europe made the bird of prey the warrior's omen of conquest. Meaning of the same kind appears in the 'Angang,' the omens taken from meeting animals and people, especially on first going out in the morning, as when the ancient Slaves held meeting a sick man or an old woman to bode ill-luck. Any one who takes the trouble to go into this subject in detail, and to study the classic, mediæval, and oriental codes of rules, will find that the principle of direct symbolism still accounts for a fair proportion of them, though the rest may have lost their early significance, or may have been originally due to some other reason, or may have been arbitrarily invented (as a considerable proportion of such devices must necessarily be) to fill up the gaps in the system. It is still plain to us why the omen of the crow should be different on the right or left hand, why a vulture should mean rapacity, a stork concord, a pelican piety, an ass labour, why the