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 should have conceived for themselves a totally independent and sincere method of study, and enthusiastically persevered in it against every kind of dissuasion and opposition, is strange enough; that in the third or fourth year of their efforts they should have produced works in many parts not inferior to the best of Albert Durer, this is perhaps not less strange. But the loudness and universality of the howl which the common critics of the press have raised against them, the utter absence of all generous help or encouragement from those who can both measure their toil and appreciate their success, and the shrill, shallow laughter of those who can do neither the one nor the other,—these are strangest of all—unimaginable unless they had been experienced.

And as if these were not enough, private malice is at work against them, in its own small, slimy way. The very day after I had written my second letter to the Times in the defence of the Pre-Raphaelites, I received an anonymous letter respecting one of them, from some person apparently hardly capable of spelling, and about as vile a specimen