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 gatherings were already in our national galleries, and that the painters of the present day were laboring, happily and earnestly, to multiply them, and put such means of knowledge more and more within reach of of the common people—would not that be a more honorable life for them, than gaining precarious bread by "bright effects"? They think not, perhaps. They think it easy, and therefore contemptible, to be truthful; they have been taught so all their lives. But it is not so, whoever taught it them. It is more difficult, and worthy of the greatest men's greatest effort, to render, as it should be rendered, the simplest of the natural features of the earth; but also be it remembered, no man is confined to the simplest; each may look out work for himself where he chooses, and it will be strange if he cannot find something hard enough for him. The excuse is, however, one of the lips only; for every painter knows that when he draws back from the attempt to render nature as she is, it is oftener in cowardice than in disdain.

I must leave the reader to pursue this subject for himself; I have not space to suggest