Page:Pratt - The history of music (1907).djvu/673

 Sweden, Music in, 382, 468, 644-5

Syllable-Names (see Solmization)

Symphonic Poem, The, 575, 582

Symphony, The, 341-3, 348-50, 580-93

Synagogue Music, 46, 64, 605

System— Greek, 56-7, 67; Hexachord, 67-9

Tablatures, 79, 108

Temperament, 257, 263, 312-4, 325

Tetrachords, 33, 55

Théâtres Favart and Feydeau (Paris), 448

Théâtres de la Foire (Paris), 286

Theory— Arabic, 41; 16th cent., 156-8, 160; 17th, 242-3, 246; 18th, 326-7, 331, 336, 400-2, 408; 19th, 491-3, 526-7, 628-9, 652

Thomasschule, The (Leipsic), 202, 254, 514

Thorough-Bass (see Basso Continuo)

Time-System, The Mediæval, 77-9

Timpanists, 524, 597

Toccata, The, 116, 155, 220, 255

Tonality, 160, 407

Tone-Systems— primitive, 27; oriental, 33, 37, 43; ancient, 47, 55-7; mediæval, 66-73; modern, 160-1

Tonic Sol-Fa System, The, 108, 621-2

Tonkünstlersocietät, The (Vienna), 301

Town-Musicians, 202

Transcriptions, 540

Tremolando, The, 171

Trent, The Council of, 125-6, 195, 198, 242

Tritone, The, 67, 80

Trombonists, 470

Troubadours, The, 52, 85-8, 90, 140, 147

Trouvères, The, 81, 88-90, 181

Trumpeters, 470

Tuning, 157, 312-4, 491

Tuning-Fork, The, 314

Turin, 302-3, 464

Universities, Music in, 514, 649, 651-2

Variation, The, 318, 388, 419, 469

Vaudeville, The, 285, 445

Venice, 113-22, 170-7, 191-2, 198-9, 277, 282-5, 618

'Veristic' Style, The, 642

Vienna, 179, 186, 277, 283, 336-46, 349-50, 355, 360-6, 378, 381, 386-90, 395-6, 413-23, 432-6, 467, 479, 481-3, 495-6, 556-7, 588, 597-8, 606, 619

Vilhancico, The, 210-1

Villanella and Villota, The, 116, 150

Violinism and Violinists— 17th cent., 238-41; 18th, 301-4, 350-2, 403; 19th, 412, 461-8, 523-4, 527, 572-3, 579, 593-5

Violoncellists, 304, 352-3, 468, 524, 573, 579, 595

Virginal-Books, 155

Virtuoso, The, 300-5, 412, 457-70, 529-45, 593-7

Vocal Physiology, 629

Vocalization, 173, 245, 276, 623, 630

Waltz, The, 597-8

Weimar, 574-9

'Wolf,' The, 313

Zarzuela, The, 555-6

'Zopf' Style, The, 288, 331