Page:Pratt - The history of music (1907).djvu/671

 Mean-tone Temperament (see Temperament)

Measured or Mensural Music, 78-80

Mediæval Music, 63-108

Meistersinger, The, 91-2, 134, 158, 601

Melodrama, The, 287, 380

Melody— semi-civilized, 27, 33, 37; ancient, 46, 52; Gregorian, 64-6; 18th cent., 269, 293, 340, 375-6, 378-9, 406-7; 19th, 419-20, 434-6, 569-71, 608

Méloplaste System, The, 622

Messel, The, 85

Metronome, The, 244, 354

Milan, 100, 122, 547-8, 618-9

Minnesinger, The, 89-91, 132

Minstrels, 50-1, 76, 85-91, 105-7

Minuet, The, 184, 317, 343, 419

Miracle-Play, The, 166-7, 180-1

Miserere, The, 196

Modes— Hindu, 37; Arab, 43; Greek, 55-7, 66-7; Gregorian, 66-7, 73, 157

Modulation, 161, 312-4, 570

Mohammedan Music, 41-4

Monatshefte für Musikgeschichte, 628

Monodies, The Florentine, 151-2

Monophony, 162, 341, 407

Morality, The, 166-7, 178

Motet, The, 96, 116, 120

Movement-Plan, The, 315-24, 343

Munich, 134-5, 187, 283, 347, 566, 586, 619

'Music of the Future,' The, 570, 574

Music Teachers' National Association, The (U.S.), 649

Musica ficta, 67, 159, 215

Musical Association, The (London), 615

Musical Times (London), 628

Musicians' Company, The (London), 106

Musikalisches Wochenblatt (Leipsic), 514

Mutation (Hexachords), 69

Mystery, The, 166-7, 180-1

Naples, 192-3, 269-71, 277-82, 356-60, 618-9

Narrator, The, 177, 204

Nationalism in Music, 632, 639-52

Netherlanders, The, 85, 93-102, 123, 132-3, 140-2

Neue Zeitschrift für Musik (Leipsic), 505, 511-2, 575

Neumes, The, 70-2, 78

Nineteenth Century, The— early, 411-98; middle, 501-632; later, 635-54

Norway, Music in, 644-5

Notation— semi-civilized, 33, 37, 43, 47; Greek, 57-8; mediæval, 70-3, 78-9, 108; modern, 620-1

Nuove musiche, Le, 169-70

Nuremberg, 91-2, 115, 136, 224

Oboists, 304-5, 353, 469, 524, 597

Opera, The— origin, 51-2, 89, 152, 166-9; 17th cent., 165-93, 244-5; 18th, 250, 273-96, 330, 336, 355-70, 377, 407-8; 19th, 412, 424-31, 438-56, 496-7, 546-72, 612-3, 635, 638-48

Opéra Bouffe, The, 554-5

Opera Buffa, The, 277, 284-5, 330, 355, 367

Opéra Comique, The, 285, 367, 445-51, 496, 550-4, 562, 567

Opera, The Grand or Historical (see Historical Opera)

Opera, The Romantic (see Romantic Opera)

Opera-Houses, 170-1, 182-3, 185-6, 286, 448

Oratorio, The, 152, 168-9, 177-9. 194, 201, 204-6, 250, 257-60, 291, 293-4, 330

Orchestra, The— 17th cent., 169, 171, 176, 199, 238, 245; 18th, 300, 305-6, 336, 344-7, 363, 407; 19th, 497, 523-4, 568, 572-93, 596, 636-48

Orchestral Pianism, 539-43

Ordre, The (see Suite)

Organ Music, 160, 194, 214-28, 250-63, 483-5, 487, 496, 604-5

Organists, 117, 119, 142, 146, 209-10, 212, 220-8, 251-7, 262-5, 271-2, 294, 395-9, 525, 573, 579, 604-5

Organum, The, 73, 79-80

Orphéon, The, 601, 622

Overture, The, 182, 240-1, 246, 275, 294, 321, 348, 363, 428

Padua, 120, 148, 155, 302

Palestrina Style, The (see A cappella Style)

Papal Chapel, The (see Chapels)

Partial-Tones, 325-6, 401

Partie or Partita, The (see Suite)

Part-Song, The, 94-6, 116, 150, 437

Passacaglia, The, 318

Passamezzo or Passepied, The, 155, 317

Passion Oratorio, The, 130, 204, 259-60

Pavan, The, 155, 317

Pedagogy, Musical, 400, 412, 490, 497, 535-6, 617-23, 633

Periodicals, Musical, 328, 406, 494-5, 512-3, 628, 640

'Perruque or Pig-tail' Style, The (see Zopf)

Persian Music, 41-4

Philharmonic Society, The (London), 487, 615

(New York), 616, 648

Pianism and Pianists, 404, 412, 457-61, 497, 525, 529-45, 573, 578, 604

Pitch, Standard, 314, 491

Pizzicato, The, 171