Page:Pratt - The history of music (1907).djvu/669

 Free Reeds, 35, 354, 477

French Pitch, 314

Frottola, The, 116, 147, 150

Fugue, The, 116, 197, 219-20, 222, 250, 255, 261, 316, 320-1

Fundamental Bass, 326

Galin-Chevé System, The, 621-2

Galliard, The, 155, 317

Gambists, 304

Games, The Greek, 52

Gamut, The, 69

Gavotte, The, 317

Genera, The Greek, 55-7

Germany, Music in—mediæval, 89-92, 103; 16th cent., 128-37; 17th 184-8,200-10, 223-8, 237, 240, 246; 18th, 250-68, 287-9, 335-66, 371-82, 396-9; 19th, 424-31, 453-4, 467-8, 483-6, 501-28, 535-45, 556-9, 562-79, 585-8, 591-3, 599-605, 608-10, 618-22, 630-3, 635-9

Gewandhaus Concerts, The (Leipsic), 301, 523-4

Gigue, The, 317

Glee, The, 150, 382-4, 486-9, 612

Graces, Keyboard, 319

Grand Opera, The (see Historical Opera)

Greek Church Music, 65, 486, 605

Greek Music, 45, 47, 50-60, 63-9, 72, 77, 151, 568

Gregorian Style, The, 64-7, 77-8, 605-6, 624-5

Guidonian Hand, The, 69, 75

Guilds, Musical, 91-2, 106, 142

Guitarists, 470

Hamburg, 185-8, 224-6, 262, 277, 287-8, 290, 292, 323-4

Handel and Haydn Society, The (Boston), 648

Hanover, 185, 187, 290

Harmonici, The, 59

Harmony—primitive, 27; ancient, 47-52; mediæval, 66, 107; modern (see Theory)

Harpists, 353, 470, 597

Hebrew Music, 5-6

Hexachords, The, 67-9, 75

Historical Opera, The, 451-5, 497, 555, 562, 567

History, Musical, 17-21, 158, 244, 329, 400, 404-5, 490, 493-4, 623-8, 640, 652-4

Hochschule für Musik, The (Berlin), 602

Holland, Music in, 556, 558 (see Amsterdam)

Horn-Bands, Russian, 353

Hornists, 353, 470, 524, 597

Hungary, Music in, 557-8, 588-90, 645-6

Hymns, 64, 66, 73, 129-30, 139-40, 145

Imitation (see Canon, Counterpoint, Fugue)

Imperial Chapel, The (see Chapels)

Improvisation (see Extemporization)

Incorporated Society of Musicians, The (London), 615

India, Music in, 36-9

Institut fur Kirchenmusik (Berlin), 602

Institut Nationale (Paris), 447

Instrumental Music—16th cent., 116, 143, 153-5, 160; 17th, 165, 214-41, 245; 18th, 250-63, 294, 297-324, 341-54, 407; 19th, 413-21, 457-78, 483-5, 487, 496-7, 504-45, 568, 574-98, 604-5, 636-52

Instruments—primitive and semi-civilized, 28-31, 33-5, 37-9, 42-3; ancient, 45-9, 52-4; mediæval, 75-6, 87-8, 90, 102-7; 16th cent., 152-4; 17th, 214-8, 229-38; 18th, 297-300, 305-14; 19th, 470-8, 571, 626, 650

Instruments mentioned—Accordion, 35, 478; Anklong, 40; Antelope Harp, 44; Apollonicon, 488; Archicembalo, 157; Archlute, 153-4; Aulos, 53; Bagpipe, 29, 37, 76, 107, 152; Balalaïka, 230; Barbitos, 53; Baryton, 339; Bass Clarinet, 475; Basset-horn, 344-5, 475; Bassoon, 300, 342, 345-6, 571; Bass Tuba, 475; Bathyphon, 475; Bells, 33, 35, 49, 353; Biwa, 34, 36; Bombarde or Bomhart, 152, 300, 346; Bows for Viols, 30, 354; Bow-Zither, 35; Bugle, 476; Castanets, 29, 33, 37; Chalil, 46; Chatzotzerah, 46; Che, 35; Cheng, 35-6, 354, 477, Chitarrone, 153-4; Chiterna, 153; Cittern or Cetera, 232; Clappers, 29, 35, 49; Clarinet, 344-6, 471, 475, 571; Clarion, 152; Clavichord, 152, 216, 231, 307-9; Clavicylinder, 388, 401; Clavicytherium, 309; Claviharpe, 478; Concertina, 478; Cor anglais, 300, 342, 345-6, 571; Crocodile Harp, 40; Crwth or Chrotta, 74, 76, 231; Cymbals, 33, 37, 46, 49; Drums, 28-9, 33, 37, 45-6, 49, 152, 345-6, 571, 596-7; Dulcimer, 35, 43-5, 49, 107, 152, 217, 229, 231, 309-11; Euphon, 388, 401; Euphonium, 476; Flageolet, 29; Flute, 28, 29, 35, 37, 45, 46, 49, 53, 107, 152, 297-9, 345-6, 471, 474, 571; Galempong, 39; Galoubet, 299; Glockenspiel, 76; Gongs, 29, 33, 35, 37, 49; Gong-Piano, 33, 40; Guitar, 38-9, 43-4, 153, 230, 232, 468, 477-8; Hack-*brett, 152; Harmonica, 386, 388; Harmonichord, 478; Harp, 30, 44-9, 74, 76, 88, 107, 152, 217, 229, 231, 468, 471, 475-7; Harpolyre, 477; Harpsichord, 152, 217, 231, 238, 308-9, 345; Horn,