Page:Pratt - The history of music (1907).djvu/510

 PART VIII

THE MIDDLE NINETEENTH CENTURY

189. General Survey. 190. The Career of Schumann. 191. His Work as Composer. 192. His Work as Critic. 193. Leipsic as a Literary Centre.

194. Mendelssohn's Usefulness. 195. His Works and Style. 196. The Gewandhaus Orchestra and the Leipsic Conservatory. 197. Certain Other Leipsic Masters.

198. Chopin as a Tone-Poet. 199. Salon Music. 200. The Bravura Pianists. 201. Liszt and the Orchestral Style. 202. Rubinstein and Bulow.

203. Verdi and the Italians. 204. Development of the Opéra Comique. 205. Austrian and German Opera.

206. The Situation Confronting Wagner. 207. Growth of his Artistic Ideal. 208. Influence of his Views. 209. The Dresden Circle. 210. Liszt and the Weimar Circle.

211. Competing Orchestral Ideals. 212. The Work of Berlioz. 213. Some Conservative Leaders. 214. Liberal Tendencies in Austria and Russia. 215. Famous Violinists and 'Cellists. 216. Other Instrumentalists. 217. Waltz Music.

218. The Revival of Choral Music. 219. The Berlin Circle. 220. Organ Music. 221. Catholic Music. 222. The Song and Ballade. 223. Music in England. 224. Music in America.

225. The Conservatories. 226. Certain Pedagogical Specialties. 227. Historical Studies. 228. Theorists and Critics. 229. Summary of the Period.