Page:Pratt - The history of music (1907).djvu/172

 PART IV

THE SEVENTEENTH CENTURY

74. General Survey. 75. The Mediæval Plays. 76. Musical Experiments. 77. Monteverdi. 78. The Intermezzi. 79. Cavalli, Carissimi and Cesti. 80. The Early Operas as Dramas. 81. The Earlier Venetian Opera-Writers. 82. The Early Oratorio.

83. In General. 84. The French Ballet. 85. Cambert and Lully. 86. The German Singspiel. 87. The Opera in Germany. 88. The English Masque. 89. Purcell. 90. Venetian Opera-Writers after 1670. 91. The Opera at Rome and Naples.

92. In General. 93 The Roman School. 94. Venetian Church Composers. 95. In Germany. 96. Schütz and the Oratorio Style. 97. The Bach Family. 98. In France, Spain and Portugal. 99. In England.

100. The Rising Importance of Instruments. 101. The Keyboard. 102. The Organ. 103. The Rise of the Organ Style. 104. Italian Organists. 105. The South German School. 106. The North German School. 107. The Thuringian School. 108. In Western Europe.

109. Stringed Instruments in General. 110. The Genesis of the Violin. 111. The Great Violin-Makers. 112. Early Violin Music and Violinists. 113. Literature about Music. 114. Summary of the Century.