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 and so after a fashion, in the way of old houses, it is like life itself.

But it was new and elegant in the early nineteen hundreds. The Babylon Arms! It was a name known throughout the growing Upper West Side! It was the first of the skyscraping apartment houses. And among the pioneer cliff dwellers were Clarence Murdock and two companions who shared among them the expenses of the apartment two floors above where the elevator jolted uncertainly to a final stop. It was not so expensive—living two floors above the elevator; and the name "Babylon Arms" looked impressive, even a little flamboyant, on one's card. To Bunce the name signified opulence, a certain grandiose triumph of success; to Clarence it meant that people would say, "Ah, the Babylon Arms! He must have a good background to live there!" To Mr. Wyck, it meant simply that he was keeping up one of the traditions of his name; yet there were times too when he was a little ashamed of the Babylon Arms as an institution touched by vulgarity.

As Clarence on the third day before Christmas closed the door behind him on the bead portières and burnt leather cushions, he left Bunce singing lustily as he rubbed his great healthy body in the chilly air of the bathroom, and Mr. Wyck, still lying in bed, his thin, slightly yellow nose peeping above the blankets against the hour when it would be painfully necessary for him to rise. As the door closed, Bunce's rendition of "I'm afraid to go home in the dark" was interrupted for an instant while he shouted after Clarence, "Look out now and don't come home married to that fat, pretty Seton girl!"

At the shout Clarence hastened away, shocked a little by the vulgarity of Bunce. As for Mr. Wyck the words struck terror into his heart. He saw the breaking up of his home. He saw himself, a timid, frightened little man, lost once more among the obscenities of a cheap boarding house.