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 chance had not thrown her glamorous cousin into the path of Clarence on a wintry night years before, he might have been alive and happy now, the husband of a stupid woman who would have thought him as wonderful as the figure he had given his life to create. He had looked for an instant at the sun and been blinded.

So perhaps, in the end, Skinflint Seton had been right. ''Women like that can ruin men. . . just by talking to them.'' 

HE world of Lily had its center in a house which stood in that part of Paris beyond the Trocadero in the direction of Auteuil and the Bois. Here she had lived for years, since the moment when she had found it agreeably necessary to live abroad. For her purposes the house possessed every advantage; it resembled, after a curious fashion, those convents of the eighteenth century to which ladies of fashion retired at the moments when they desired solitude and rest and yet wished not to be cut off entirely from the gaiety of the world. As the Baron had once observed, Lily herself belonged to the eighteenth century; there was about her always so much of luxury and indolence, so much of charm and unmorality.

The house stood in the Rue Raynouard a short distance from the place where it rushes down a slope to join a half dozen other streets in a whirlpool known as the Place Passy surrounded by magasins, cafés, and tobacconists' shops. It was, in all truth, an eighteenth century house, built in the beginning as a château in the open country on the outskirts of Paris between the city and the Grand Trianon of Versailles. Here in the open fields the Marquise de Sevillac, an ugly, clever and eccentric woman, held a court of her own, a court indeed which in some respects outshone the splendor of Versailles. In her house were to be found the poets, the wits and the philosophers of the day. She