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 the pieces remained. . . chairs and sofas of gilt and salmon brocade, American adaptations of the monstrosities of Louis Philippe—the furniture of some preceding Mrs. Callendar. And in gilt cases of glass there ranged the famous Callendar collection of Chinese bric-à-brac. . . bowls and idols of jade, porphyry, and carved sandalwood, row upon row of tear bottles (it was for these that the collection was especially noted) in jade, ivory and porcelain. All these ornaments represented the second period in the fortunes of the Callendar family. . . the days when the clipper ships of Griswold and Callendar carried cargoes around the world from Singapore, Shanghai and Hong-Kong. The fortune was now in its third stage. The clipper ships had vanished and the money they once represented was now safe in the best stocks and bonds it was possible to buy.

The room had never been brought up to date. Indeed it had remained untouched since the Seventies, for Mrs. Callendar spent only a month or two of the year in New York and, being thrifty, had not found it necessary to alter anything. The caretaker, once a year when her mistress returned, sent for a small army of charwomen, dusted, cleaned and scrubbed the old house and engaged a corps of servants. The rest of the time it remained empty but solid, immersed in the quiet dignity which is acquired only by houses of great bankers, a symbol in the midst of less enormous and somber dwellings, of all that is enduring and respectable in a changing effervescent world.

At ten o'clock on this particular evening the lacquer screen concealed behind its shimmering walls the figure of a Russian tenor, a Javanese dancer (really a low caste Hindu woman who had her training in some brothel of Alexandria) and the unknown American girl whom Sanson recommended as a fine artist. They were entertainers, mountebanks, brought together only to divert a crowd of guests, who presently would arrive, jaded and somewhat torpid, from monstrous dinners of twenty courses held in houses from Washington Square as far north as the east Sixties. In the behavior of the three performers there was no great cordiality.