Page:Popular Science Monthly Volume 75.djvu/94

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HAT the publication of the "Origin of Species" marked an epoch in the development of the natural sciences is well known to the layman. That the combination of the very words origin and species embodied an intellectual revolt and introduced a new intellectual temper is easily overlooked by the expert. The conceptions that had reigned in the philosophy of nature and knowledge for two thousand years, the conceptions that had become the familiar furniture of the mind, rested on the assumption of the superiority of the fixed and final; they rested upon treating change and origin as signs of defect and unreality. In laying hands upon the sacred ark of absolute permanency, in treating the forms that had been regarded as types of fixity and perfection as originating and passing away, the "Origin of Species" introduced a mode of thinking that in the end was bound to transform the logic of knowledge, and hence the treatment of morals, politics and religion.

No wonder then that the publication of Darwin's book, a half century ago, precipitated a crisis. The true nature of the controversy is easily concealed from us, however, by the theological clamor that attended it. The vivid and popular features of the anti-Darwinian row tended to leave the impression that the issue was between science on one side and theology on the other. Such was not the case—the issue lay primarily within science itself, as Darwin himself early recognized. The theological outcry he discounted from the start, hardly noticing it save as it bore upon the "feelings of his female relatives." But for two decades before final publication he contemplated the possibility of being put down by his scientific peers as a fool or as crazy; and he set, as the measure of his success, the degree in which he should affect three men of science: Lyell in geology, Hooker in botany and Huxley in zoology.

Religious considerations lent fervor to the controversy, but they did not provoke it. Intellectually, religious emotions are not creative but conservative. They attach themselves readily to the current view of the world and consecrate it. They steep and dye intellectual fabrics in the seething vat of emotions; they do not form their warp