Page:Popular Science Monthly Volume 56.djvu/222

 of the simplicity and nobility which Rome borrowed from Greece, but figures which in some particulars recall the old art of Asia, and in others already announce the art of the middle ages. The head is encircled with a diadem. The body and the limbs are entirely hidden by clinging draperies which are very long and very narrow. The materials which form this species of case are decorated from top to bottom with rich embroideries in the shape of medallions, flowers, animals, and even persons. There is no more deception; we are no longer in Rome; fictions so long preserved have finally disappeared; the empire has turned into an Oriental despotism.

"Between the two extremes of the series, how many degrees are there which furnish the very best commentaries of history? The heads of all the Cæsars, even those of Claudius, the accidental scholar, and of Caligula, the wicked and witty fool, are aristocratic. They show the nobility and the pride of race. You recognize in them the descendants of those grand patrician families which at first seemed to hold exclusively the right to give masters to the Romans. With Vespasian, scion of a middle-class family pushing its way into second-class public positions, the advent of a new order is evident. Vespasian has the round and smooth, double-chinned face of the chief clerk of a commercial or banking establishment. Trajan has the features of a soldier who has probably pushed his way to the front from the ranks. Hadrian, who turns his head to hear the better, whose bright eyes gleam even in the marble, whose half-opened mouth seems in the act of speech, shows the features of a learned and intelligent scholar. Marcus Aurelius, with his bristling hair and beard, would be taken for a Greek philosopher. In Caracalla's looks there is derangement. His eye betrays that murderous and fantastic frenzy which seized more than one emperor, especially of those who from early youth had been exposed to the temptations of absolute power.

"Not to personages alone do pictured monuments give life.