Page:Popular Science Monthly Volume 30.djvu/805

Rh

Or they begin on the key-note and move to the dominant:

Or they ascend from the dominant to the octave, and to the ninth and tenth:

Many expressions are begun on the sixth as on a leading tone to the dominant:

The voice moves mostly up and down in the principal scale and chord, and in their relative harmonies, and frequently dwells on introducing tones from above or below to a tone of any of these chords: