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Rh things with Esmond's gentle eyes, to judge of things with Esmond's tolerant soul; and forbore to whip his actors through the play like criminals at the cart-tail? On the other hand, what whimsical sense of responsibility induced Bulwer to elaborate a character like Randal Leslie, only to make of him an educational sign-post, after the approved fashion of Miss Edgeworth's "Early Lessons"? Judged by a purely ethical standard, Randal no doubt merited his failure; judged by the standard of his ability and energy, Reynard the Fox was as little likely to fail; and though Mr. Froude tells us that "women, with their clear moral insight, have no sympathy with Reynard's successful villainy," yet I doubt whether we should really like to see him outwitted by a fool like Bruin, or beaten by a bully like Isegrim. He is a terrible scamp, to be sure, but the charm of the situation is that we are not compelled to watch it from a jury-box.

Now the disadvantage of being at once a novelist and a teacher is that you have no neutral ground from which to observe your characters, no friendly appreciation of things or people as you find them. What the