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 which could be forced to appear absurd made merry a world which had not been taught the elements of humanity. The elaborate jests which enlivened the Roman games were designed to show that terror and pain might, under rightly conceived circumstances, be infinitely amusing. When the criminal appointed to play the part of Icarus lost his wings at the critical moment which precipitated him into a cage of hungry bears, the audience appreciated the humour of the situation. It was a good practical joke, and the possible distaste of Icarus for his rôle lent pungency to the cleverly contrived performance. "By making suffering ridiculous," said Mr. Pater, "you enlist against the sufferer much real and all would-be manliness, and do much to stifle any false sentiment of compassion."

Scott, who had a clear perception of emotions he did not share, gives us in "Quentin Durward" an apt illustration 264