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 might not still be room for something simple in art.

Ever and always the reproach cast at the conservative is that he has been blind in the beginning to the beauty he has been eventually compelled to recognize; and ever and always he replies that, in the final issue, he is the guardian of all beauty. His are the imperishable standards, his is the love for a majestic past, his is the patience to wait until the wheat has been sorted from the chaff, and gathered into the granaries of the world. If he be hostile to the problematic, which is his weakness, he is passionately loyal to the tried and proven, which is his strength. He is as necessary to human sanity as the progressive is necessary to human hope.

Civilization and culture are very old and very beautiful. They imply refinement of humour, a disciplined taste, sensitiveness to noble impressions, and a 90