Page:Points of View (1924).pdf/277

 Of a writer so little known yet so overwhelmingly important we had better have some specimens before us before we attempt to add anything to Mr. Anderson's appreciation. Her work, it may be said, though various in theme, form, and style, is of singularly even quality, so that we may dip in almost at random and find a perfectly characteristic bit. Let us have first the opening sentence from a nine-page Portrait of Constance Fletcher.

To this let us add a paragraph from France:

Finally let us have a morsel from Scenes: