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Rh not, then, in the transfer, destroyed any right values, and you are not going counter to the conditions which tend to produce national Art.

But, as an example of the particular value which does sometimes attach to hand labour (irrespective of its artistic value), I have here a small unused sample of chair-cover material of English make, produced about eighty years ago, at a probable cost—so I am told by experts—of under £2 the square yard. The chairs it was made to cover are now in my possession. During the twenty-five years of my own personal acquaintance with them they have had plenty of hard wear; but even at the corners that material has not yet begun to wear out; and the colour has only become softer and more mellow in quality.

Within the last ten years I endeavoured to get that covering matched in a modern material, and I paid for the nearest match I could get about one-fifth of the price I have quoted. That material has already gone shabby; and where it is most worn and faded the colour, instead of mellowing, has gone dead and dirty in quality. The older material will probably outlast my time.

There, then, are the comparative values of the old and the new material. You pay the higher price for the old, but in the end it is more economical. And it has this double advantage (or what would be a double advantage in a State where industrial conditions were sound), that it inclines its possessor to adopt a