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 with the back-ground of pines, that rose, in tall grandeur, but a short distance in the rear of the mansion house. But all these ingenious expedients entirely failed, and our artists relinquished the desire to conceal, and attempted to ornament, the offensive member. The last colour that Richard bestowed on the luckless roof, was a "sun-shiny yellow;" so called, both from its resemblance to, and its powers to resist, the rays of the great luminary. The platform, as well as the eves of the house, were surmounted by gaudily painted railings, and the genius of Hiram was exerted in the fabrication of divers urns and mouldings, that were scattered profusely around this part of their labours. Richard had originally a cunning expedient, by which the chimneys were intended to be so low, and so situated, as to resemble ornaments on the balustrades; but comfort required that the chimneys should rise with the roof, in order that the smoke might be carried off, and they thus became four extremely conspicuous objects in the view.

As this was much the most important undertaking in which Mr. Jones was ever engaged, his failure produced a correspondent degree of mortification. At first, he whispered among his acquaintances, that it all proceeded from ignorance of the square rule on the part of Hiram, but as his eye became gradually accustomed to the object, he grew better satisfied with his labours, and instead of apologizing for the defects, be commenced praising the beauties of the mansion house. He soon found hearers; and, as wealth and comfort are at all times attractive, it was made a model for imitation on a small scale. In less than two years from its erection, he had the pleasure of standing on the elevated platform, and of looking down on three humble imitators of its beauty.—Thus it is