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Rh but an obstacle hard to overcome; and not an accelerator helpingly pushing him along.

While Pierre was thinking that he was entirely transplanted into a new and wonderful element of Beauty and Power, he was, in fact, but in one of the stages of the transition. That ultimate element once fairly gained, then books no more are needed for buoys to our souls; our own strong limbs support us, and we float over all bottomlessnesses with a jeering impunity. He did not see,—or if he did, he could not yet name the true cause for it,—that already, in the incipiency of his work, the heavy unmalleable element of mere book-knowledge would not congenially weld with the wide fluidness and ethereal airiness of spontaneous creative thought. He would climb Parnassus with a pile of folios on his back. He did not see, that it was nothing at all to him, what other men had written; that though Plato was indeed a transcendently great man in himself, yet Plato must not be transcendently great to him (Pierre), so long as he (Pierre himself) would also do something transcendently great. He did not see that there is no such thing as a standard for the creative spirit; that no one great book must ever be separately regarded, and permitted to domineer with its own uniqueness upon the creative mind; but that all existing great works must be federated in the fancy; and so regarded as a miscellaneous and Pantheistic whole; and then,—without at all dictating to his own mind, or unduly biasing it any way,—thus combined, they would prove simply an exhilarative and provocative to him. He did not see, that even when thus combined, all was but one small mite, compared to the latent infiniteness and inexhaustibility in himself; that all the great books in the world are but the mutilated shadowings-forth of invisible and eternally unembodied images in the soul; so that they are but the mirrors,