Page:Pierre.djvu/205

Rh Herein lies an unsummed world of grief. For in this plaintive fable we find embodied the Hamletism of the antique world; the Hamletism of three thousand years ago: 'The flower of virtue cropped by a too rare mischance.' And the English tragedy is but Egyptian Memnon, Montaignised and modernised; for being but a mortal man Shakespeare had his fathers too.

Now as the Memnon Statue survives down to this present day, so does that nobly-striving but ever-shipwrecked character in some royal youths (for both Memnon and Hamlet were the sons of kings), of which that statue is the melancholy type. But Memnon's sculptured woes did once melodiously resound; now all is mute. Fit emblem that of old, poetry was a consecration and an obsequy to all hapless modes of human life; but in a bantering, barren, and prosaic, heartless age, Aurora's music-moan is lost among our drifting sands, which whelm alike the monument and the dirge.

VII

As Pierre went on through the woods, all thoughts now left him but those investing Isabel. He strove to condense her mysterious haze into some definite and comprehensible shape. He could not but infer that the feeling of bewilderment, which she had so often hinted of during their interview, had caused her continually to go aside from the straight line of her narration; and finally to end it in an abrupt and enigmatical obscurity. But he also felt assured, that as this was entirely unintended, and now, doubtless, regretted by herself, so their coming second interview would help to clear up much of this mysteriousness; considering that the elapsing interval would do much to tranquillise her, and rally her into less of wonderfulness to him; he did not therefore so much