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this book was commenced as the companion, rather than the rival, of that of M. Maindron, English designers of the poster have multiplied in a degree altogether phenomenal.

Up to the time in question, as we have already seen, the English artist who attempted the poster was exceptional. The famine, which was prevalent only a year or two ago, has become the abundance of today, so that where one expected a dearth of subject matter, one has in fact: an excess. It seems to me that, apart from the English pioneers, whom we have already considered, the brothers Beggarstaff, in reality Messrs. Pryde and Simpson, two young artists, are entitled to the first place among the makers of the English artistic poster. They have best appreciated the essence of their business: less than almost any native designers, they are innocent of any homage of imitation. They have imitated neither Chéret nor Lautrec: it may well be that they have