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Rh demolition. It requires that, while the fallacy is exposed and overthrown by the admissions which it has itself demanded, the truth should be set in the clearest light, and on the most solid ground, by the attempts made to suppress and overwhelm it.

Without departing from the analogy that pervades the various kinds of verbal irony, we may speak of a practical irony, which is independent of all forms of speech, and needs not the aid of words. Life affords as many illustrations of this, as conversation and books of the other. But here we must carefully distinguish between two totally different kinds, which, though they may often outwardly coincide, spring from directly contrary feelings. There is a malignant, or at least a wanton irony, in the practical sense, by which a man humours the folly of another, for the purpose of rendering it more extravagant and incorrigible, whether it be with the further aim of extracting materials for ridicule from it, or of turning it to some still less liberal use. Specimens of this kind are perpetually occurring in society, and ancient and modern comedy is full of them. But this same irony has a darker side, which can excite only detestation and horror, as something belonging rather to the nature of a fiend than of a man. Such is the flattery which, under the mask of friendship, deliberately cherishes passions, and panders to wishes, which are hurrying their unconscious slave into ruin. Such is the spirit in which Timon gives his gold to Alcibiades and his companions, and afterwards to the thieves: though in the latter case he is near defeating his own purpose by the irony of his language, which compels one of the thieves to say: "He has almost charmed me from my profession by persuading me to it." Such is the irony with which the weird women feed the ambitious hopes of Macbeth, and afterward lull him into a false "security, mortals' chiefest enemy," when they have been commanded to