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Rh standard that all who come after him must try to live up to it, or else they will sink into oblivion.

The times in which Firdusi lived were marked by strange revolutions. The Arabs, filled with the daring which Mohammed had breathed into them, had indeed conquered Persia. In A.D. 657, when Merv fell, and the last Sassanian king, Yezdegird III, met his end, these Arabs became nominally supreme. Persia had been conquered—but not the Persian spirit. Even though Turkish speech reigned supreme at court and the Arabic script became universal, the temper of the old Arsacides and Sassanians still lived on. It is true that Ormuzd was replaced by Allah, and Ahriman by Satan. But the Persian had a glorious past of his own; and in this the conquered was far above the conqueror. This past was kept alive in the myth-loving mind of this Aryan people; in the songs of its poets and in the lays of its minstrels. In this way there was, in a measure, a continuous opposition of Persian to Arab, despite the mingling of the two in Islam; and the opposition of Persian Shiites to the Sunnites of the rest of the Mohammedan world at this very day is a curious survival of racial antipathy. The fall of the only real Arab Mohammedan dynasty—that of the Umayyid caliphs at Damascus—the rise of the separate and often opposing dynasties in Spain, Sicily, Egypt, and Tunis, served to strengthen the Persians in their desire to keep alive their historical individuality and their ancient traditions.

Firdusi was not the first, as he was not the only one, to collect the old epic materials of Persia. In the Avesta itself, with its ancient traditions, much can be found: More than this was handed down and bandied about from mouth to mouth. Some of it had even found its way into the Kalam of the Scribe; to-wit, the ‘‘Zarer, or Memorials of the Warriors” ( 500), the “History of King Ardeshir”, the Chronicles of the Persian Kings. If we are to trust Baisonghur’s preface to the “Sháh Námeh,” there were various efforts made from time to time to put together a complete story of the nation’s history, by Farruchani, Ramin, and especially by the Dihkan Danishwar ( 651). The work of this Danishwar, the “Chodainameh” (Book of Kings), deserves to be specially singled out. It was written, not in neo-Persian and Arabic script, but in what scholars call middle-Persian and in what is