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Rh for the regular drama, if genius should engage in its creation. Accordingly there have been in this country, as well as in England, many attempts to produce dramas suitable for action no less than for the closet. The actor, Murdoch, about to devote himself with enthusiasm and hope to prop up a falling profession, is to bring out a series of plays written, not merely for him, but because his devotion is likely to furnish fit occasion for their appearance. The first of these, “Witchcraft, a tragedy,” brought out successfully upon the boards at Philadelphia, we have read, and it is a work of strong and majestic lineaments; a fine originality is shown in the conception, by which the love of a son for a mother is made a sufficient motiv (as the Germans call the ruling impulse of a work) in the production of tragic interest; no less original is the attempt, and delightful the success, in making an aged woman a satisfactory heroine to the piece through the greatness of her soul, and the magnetic influence it exerts on all around her, till the ignorant and superstitious fancy that the sky darkens and the winds wait upon her as she walks on the lonely hill-side near her hut to commune with the Past, and seek instruction from Heaven. The working of her character on the other agents of the piece is depicted with force and nobleness. The deep love of her son for her, the little tender, simple ways in which he shows it, having preserved the purity and poetic spirit of childhood by never having been weaned from his first love, a mother’s love, the anguish of his soul when he too becomes infected with distrust, and cannot discriminate the natural magnetism of a strong nature from the spells and lures of sorcery, the final triumph of his faith, all offered the highest scope to genius and the power of moral perception in the actor. There are highly poetic intimations of those lowering days with their veiled skies, brassy light, and sadly whispering winds, very common in Massachusetts, so ominous and brooding seen from any point, but from the idea of witchcraft, invested with an awful