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130 Miss Sedgwick and others have portrayed, with skill and feeling, scenes and personages from the revolutionary time. Such have a permanent value in proportion as their subject is fleeting. The same charm attends the spirited delineations of Mrs. Kirkland, and that amusing book, “A New Purchase.” The features of Hoosier, Sucker, and Wolverine life are worth fixing; they are peculiar to the soil, and indicate its hidden treasures; they have, also, that charm which simple life, lived for its own sake, always has, even in rude and all but brutal forms.

What shall we say of the poets? The list is scanty; amazingly so, for there is nothing in the causes that paralyze other kinds of literature that could affect lyrical and narrative poetry. Men’s hearts beat, hope, and suffer always, and they must crave such means to vent them; yet of the myriad leaves garnished with smooth stereotyped rhymes that issue yearly from our press, you will not find, one time in a million, a little piece written from any such impulse, or with the least sincerity or sweetness of tone. They are written for the press, in the spirit of imitation or vanity, the paltriest offspring of the human brain, for the heart disclaims, as the ear is shut against them. This is the kind of verse which is cherished by the magazines as a correspondent to the tawdry pictures of smiling milliners’ dolls in the frontispiece. Like these they are only a fashion, a fashion based on no reality of love or beauty. The inducement to write them consists in a little money, or more frequently the charm of seeing an anonymous name printed at the top in capitals.

We must here, in passing, advert also to the style of story