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Rh large scope of action, not in his perception of principles, or virtue in carrying them out. For his faith in the need of absolute sway to control the herd, does not merit the name of a principle.

Nor can we fail to believe, that the man of the world might sincerely take this view of his opponents.

The court and council scenes are good. The materials are taken from history, with Shakspearean adherence to the record, but they are uttered in masculine cadences, sinewy English, worthy this great era in the life of England.

The king and queen and sycophants of the court are too carelessly drawn. Such unmitigated baseness and folly, are unbearable in poetry. The master invests his worst characters with redeeming traits, or at least, touches them with a human interest, that prevents their being objects of disgust rather than contempt or aversion. This is the poetic gift, to penetrate to the truth below the fact. We need to hear the excuses men make to themselves for their worthlessness.

The council of the parliamentary leaders is far better. Here the author speaks his natural language from the lips of grave enthusiastic men. Pym’s advice to his daughter is finely worded,