Page:Papers on Literature and Art (Fuller).djvu/131

Rh The grave and comprehensive character of the ripened man, of him whom fire, and light, and earth have tempered to an intelligent delegate of humanity, has never been more justly felt, rarely more life-like painted, than by this author. The Flemish blood and the fiery soul are both understood. Philip stands among his compatriots the man mature, not premature or alien. He is what they should be, his life the reconciling word of his age and nation, the thinking head of an unintelligent and easily distempered body, a true king. The accessories are all in keeping, saplings of the same wood. The eating, drinking, quarrelling citizens, the petulant sister, the pure and lovely bride, the sorrowful and stained, but deep-souled mistress, the monk, much a priest, but more a man, all belong to him and all require him. We cannot think of any part of this piece without its centre, and this fact proclaims it a great work of art. It is great, the conception of the swelling tide of fortune, on which this figure is upborne serenely eminent, of the sinking of that tide with the same face rising from the depths, veiled with the same cloud as the heavens, in its sadness calmer yet. Too wise and rich a nature he, too intelligent of the teachings of earth and heaven to be a stoic, but too comprehensive, too poetic, to be swayed, though he might be moved, by chance or passion. Some one called him Philip the Imperturbable, but his greatness is, that he is not imperturbable, only, as the author announces, “not passion’s slave.” The gods would not be gods, if they were ignorant, or impassive; they must be able to see all that men see, only from a higher point of view.

Such pictures make us willing to live in the widest sense, to bear all that may be borne, for we see that virgin gold may be fit to adorn a scabbard, but the good blade is made of tempered steel.

Justice has not been done by the critics to the admirable conduct of the Second Part, because our imaginations were at first so struck by the full length picture of the hero in the conquering