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Give Coleridge a canvass, and he will paint a single mood as if his colors were made of the mind’s own atoms. Here he is very unlike Southey. There is nothing of the spectator about Coleridge; he is all life; not impassioned, not vehement, but searching, intellectual life, which seems “listening through the frame” to its own pulses.

I have little more to say at present except to express a great, though not fanatical veneration for Coleridge, and a conviction that the benefits conferred by him on this and future ages are as yet incalculable. Every mind will praise him for what it can best receive from him. He can suggest to an infinite degree; he can inform, but he cannot reform and renovate. To the unprepared he is nothing, to the prepared, every thing. Of him may be said what he said of Nature,

I was once requested, by a very sensible and excellent personage to explain what is meant by “Christabel” and “The Ancient Mariner.” I declined the task. I had not then seen Coleridge’s answer to a question of similar tenor from Mrs. Barbauld,