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302 other. Thaddeus and Sophia did not take seats at the table; being occupied with serving the peasants, they ate as they walked. Such was the ancient custom—that new owners of a farm, at the first feast, should wait on the common folk.

Meanwhile the guests, as in the castle hall they awaited the bringing in of the food, gazed with amazement at the great centrepiece, the metal and the workmanship of which were equally precious. There is a tradition that Prince Radziwill the Orphan had this set made to order in Venice, and had it decorated in Polish style according to his own ideas. The centrepiece had later been carried off in the time of the Swedish wars, and had found its way in some mysterious manner into this country gentleman's mansion; to-day it had been brought forth from the treasury and it now occupied the middle of the table, forming an immense circle, like a coach wheel.

The centrepiece, which was coated from rim to rim with froth and sugar white as snow, counterfeited marvellously well a winter landscape. In the centre a huge grove of confections showed dark; on the sides were houses which seemed to form peasant villages and hamlets of gentry, and which were coated, not with hoar frost, but with sugary froth; the edges were decorated with little porcelain figures in Polish costumes: like actors on a stage, they were evidently representing some striking event; their gestures were artistically reproduced, the colours were individual; they lacked only voice—for the rest they seemed to be alive.

"What is it that they represent?" asked the curious guests; whereupon the Seneschal, raising his wand, spoke as follows (meanwhile brandy was being served, in preparation for dinner):—