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 half surprised at her open audacity, half repentant. They came so meekly at her call. "And my husband is sensitive to fever from the East. No, please do not throw away your cigars. We can sit by the open window and enjoy the evening while you smoke."

She was very talkative for a moment; subconscious excitement was the cause.

'It is so still—so wonderfully still,' she went on, as no one spoke; 'so peaceful, and the air so very sweet &hellip; and God is always near to those who need His aid.' The words slipped out before she realised quite what she was saying, yet fortunately, in time to lower her voice, for no one heard them. They were, perhaps, an instinctive expression of relief. It flustered her that she could have said the thing at all.

Sanderson brought her shawl and helped to arrange the chairs; she thanked him in her old-fashioned, gentle way, declining the lamps which he had offered to light. 'They attract the moths and insects so, I think!'

The three of them sat there in the gloaming. Mr. Bittacy's white moustache and his wife's yellow shawl gleaming at either end of the little horseshoe, Sanderson with his wild black hair and shining eyes midway between them. The painter went on talking softly, continuing evidently the conversation begun with his host beneath the cedar. Mrs. Bittacy, on her guard, listened—uneasily.

"For trees, you see, rather conceal themselves in daylight. They reveal themselves fully only after sunset. I never know a tree," he bowed here slightly towards the lady as though to apologise for something he felt she would not quite understand or like, "until I've seen it in the night. Your cedar, for