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 been there; there were many people, but insignificant people. Who were they? And what had he to do with them? All recent memories had been drowned in the tide that flooded him from an immeasurable Past.

And who were they⁠—these two beings, standing on the white floor of sand below him? For a long time he could not recover their names. Yet he remembered them; and, thus robbed of association that names bring, he saw them for an instant naked, and knew that one of them was evil. One of them was vile. Blackness touched the picture there. The man, his name still out of reach, was sinister, impure and dark at the heart. And for this reason the evocation had been partial only. The admixture of an evil motive was the flaw that marred complete success.

The names then flashed upon him⁠—Lady Statham⁠—Richard Vance.

Vance! With a horrid drop from splendour into something mean and sordid, Henriot felt the pain of it. The motive of the man was so insignificant, his purpose so atrocious. More and more, with the name, came back⁠—his first repugnance, fear, suspicion. And human terror caught him. He shrieked. But, as in nightmare, no sound escaped his lips. He tried to move; a wild desire to interfere, to protect, to prevent, flung him forward⁠—close to the dizzy edge of the gulf below. But his muscles refused obedience to the will. The paralysis of common fear rooted him to the rocks.

But the sudden change of focus instantly destroyed the picture; and so vehement was the fall from glory into meanness, that it dislocated