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 menacing type, they somewhere mated with genuine grandeur. Unformed, according to any standard of human or of animal faces, they achieved an air of giant physiognomy which made them terrible. The unwinking stare of eyes⁠—lidless eyes that yet ever succeed in hiding⁠—looked out under well-marked, level eyebrows, suggesting a vision that included the motives and purposes of his very heart. They looked up grandly, understood why he was there, and then⁠—slowly withdrew their mysterious, penetrating gaze.

The strata built them so marvellously up; the heavy, threatening brows; thick lips, curved by the ages into a semblance of cold smiles; jowls drooping into sandy heaps that climbed against the cheeks; protruding jaws, and the suggestion of shoulders just about to lift the entire bodies out of the sandy beds⁠—this host of countenances conveyed a solemnity of expression that seemed everlasting, implacable as Death. Of human signature they bore no trace, nor was comparison possible between their kind and any animal life. They peopled the Desert here. And their smiles, concealed yet just discernible, went broadening with the darkness into a Desert laughter. The silence bore it underground. But Henriot was aware of it. The troop of faces slipped into that single, enormous countenance which is the visage of the Sand. And he saw it everywhere, yet nowhere.

Thus with the darkness grew his imaginative interpretation of the Desert. Yet there was construction in it, a construction, moreover, that was not entirely his own. Powers, he felt, were rising, stirring, wakening from sleep. Behind the natural faces that he saw, these other things peered gravely at