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 before her; she stared blankly at the wall, her head slightly on one side, her figure tense, attention strained⁠—elsewhere. Or, when my talk positively demanded it, her nod was oddly mechanical and her eyes looked through and past me. The wind continued very loud and roaring; but the fire glowed, the room was warm and cosy. Yet she shivered, and when I drew attention to it, her reply, 'I do feel cold, but I didn't know I shivered,' was given as though she spoke across the air to someone else. But what impressed me even more uncomfortably were her repeated questions about Riquette. When a pause in my tales permitted, she would look up with 'I wonder where Riquette went?' or, thinking of the inclement night, 'I hope mère Riquette's not out of doors. Perhaps Madame Favre has taken her in?' I offered to go and see. Indeed I was already halfway across the room when there came the heavy bang at the door that rooted me to the ground where I stood. It was not wind. It was something alive that made it rattle. There was a second blow. A thud on the corridor boards followed, and then a high, odd voice that at first was as human as the cry of a child.

It is undeniable that we both started, and for myself I can answer truthfully that a chill ran down my spine; but what frightened me more than the sudden noise and the eerie cry was the way 'mother' supplied the immediate explanation. For behind the words 'It's only Riquette; she sometimes springs at the door like that; perhaps we'd better let her in,' was a certain touch of uncanny quiet that made me feel she had known the cat would come, and knew also why she came. One cannot explain such impressions further. They leave their vital touch, then go