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was dark enough for anything in Dead Man’s Gap—a round, warm, close darkness, in which retreating sounds seemed to be cut off suddenly at a distance of a hundred yards or so, instead of growing faint and fainter, and dying away, to strike the ear once or twice again—and after minutes, it might seem—with startling distinctness, before being finally lost in the distance, as it is on clear, frosty nights. So with the sounds of horses’ hoofs, stumbling on the rough bridle-track through the “saddle”, the clatter of hoof-clipped stones and scrape of gravel down the hidden “siding”, and the low sound of men’s voices, blurred and speaking in monosyllables and at intervals it seemed, and in hushed, awed tones, as though they carried a corpse. To practical eyes, grown used to such a darkness, and at the nearest point, the passing blurrs would have suggested two riders on bush hacks leading a third with an empty saddle on its back—a lady’s or “side-saddle”, if one could have distinguished the horns. They may have struck a soft track or level, or rounded the buttress of the hill higher up, but before they had time to reach or round the foot of the spur, blurs, whispers, stumble and clatter of hoofs, jingle of bridle rings, and the occasional clank