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generally about it, even our little inn was quite modern—was its old railway station. I must confess, at the same time, that I do not remember ever having admired a railway station before for its beauty. But this is, or was, not a modern railway station but a genuine sixteenth-century one! I am writing seriously, let me explain the mystery. When the line was being constructed it passed close alongside of an ancient and charmingly picturesque Elizabethan mansion, known as the Old Red Hall, which for a long while was the residence of the Digby family, who were implicated in the Gunpowder Plot: it was here, according to tradition, that the Guy Fawkes conspiracy was originated in 1604. The intention was, I understand, in due course to pull this ancient structure down and to erect a station on its site. But sundry antiquaries, learning what was proposed to be done, arose in arms against such a proceeding and prevailed; so for once I am glad to record that the picturesque scored in the struggle with pure utilitarianism. A rare victory! The old-time building, often painted by artists and appearing in more than one Academy picture, was happily spared from destruction and was converted into a very quaint, if slightly dark and inconvenient railway station: its hall doing duty as a booking-office, one of its mullion-windowed chambers being turned into a waiting-room, another into a cloak-*room, and so forth. Thus matters remained until a year or so ago, when a brand new station, convenient and ugly, was constructed a little farther along the line, and the old house, one of the finest remaining