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 these served to emphasise the general solitude: the prevailing silence was made the more striking by the infrequent peevish cry of some stray bird that seemed strangely loud upon the quiet air.

The scenery could not be called picturesque, yet it possessed the rarer quality of quaintness, and it therefore interested us. In a manner it was beautiful on account of its colour, and the sky-scape overhead was grand because so wide, whilst it flooded the vast breadth of unshaded land with a wealth of light. After all, let mountain lovers say what they will, a flat land has its charms; it may not be "sweetly pretty," but it is blessed with an abundance of light, and light begets cheerfulness; and its cloud-scapes, sunrises, and sunsets, that compel you to notice them, are a revelation in themselves. A Dutch artist once told me, when I was pointing out to him what I considered the paintable qualities of the South Downs, that he honestly considered hills and mountains a fraud, as they hid so much of the sky, which, to him, appeared infinitely more beautiful and changeful both in form and colour. "There is a fashion in scenery," said he; "mountain lands have been fortunate in their poets and writers; some day a poet or great writer may arise who will sing or describe for us the little-heeded beauties of the lowlands, and the hills will go out of fashion. The public simply admire what they are told to admire." If Ruskin had only been born in the lowlands of Lincolnshire, then might we have had some chapters in his works enlarging upon their peculiar beauties! Truly Tennyson was