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 Many a gallant gay domestic Bows before him at the door. And they speak in gentle murmur, When they answer to his call, While he treads with footstep firmer, Leading on from hall to hall. And, while now she wonders blindly, Nor the meaning can divine, Proudly turns he round and kindly, "All of this is mine and thine."

Driving into Stamford, a place we had never visited before, we were struck by the familiarity of the townscape presented to us; it seemed to greet us like an old friend, whose face we had often seen. The square towers, the tall tapering spires, with the gable-fronted, mullion-windowed old houses, and the picturesque way that these towers, steeples, and old-fashioned houses were grouped and contrasted had a strangely well-known look—yet how could this be if we had not beheld them before? Then we suddenly solved the promising mystery by remembering that it was Turner's engraved drawing of Stamford in his "England and Wales" series of views that had brought the prospect to mind. In this case—judging by our recollection of the engraving, a great favourite, so strongly impressed upon us—Turner has been more than usually topographically faithful: he appears to have taken very little, if any, liberty with the buildings or the composition of the subject—possibly because the natural grouping is so good, that art could not, for the nonce, improve picturesquely upon fact. For it is not the province of true art to be realistic, but